Restless Research: Confessions of a Confused Community Art Scholar
If you’ve read some of the material published on this site, I hope you’ll understand why I describe participatory
‘It’s given us permission to play, to take part, to engage.’
‘A Fun Palace is not a fete. It’s not about coming along and having a lovely time. It’s not audience
What’s happening with ‘A Restless Art’?
Summer’s almost over, soon it’s back to school Soon they drain the water out of the swimming pool Adopt a
‘Just our imagination’
Bridget Lambert has spent the summer painting a tribute to Dolores O’Riordan with children in rural Limerick. The singer, who
On volunteering: who gets paid (cont.)
A few days ago, I wrote a post about who does, could or should get paid for their time in
Why are there so few books about community art?
There are very few books about community art in Britain, despite its 50 year history. The key texts are: 1978, Artists
Keep your eyes on the prize, hold on
In A Restless Art (the book, not the blog) I argue that participation has become normalised in cultural policy and
Who gets paid – and why?
Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s
‘‘I didn’t realise I had so much to say until we began this conversation.’
Click here to download this case study in English (PDF 22MB) Clique aqui para descarregar este caso de estudo em
Be SpectACTive!
Be SpectACTive! describes itself as ‘a European project based on audience development, involving some of the most innovative European organizations working
