Holding onto community
Suddenly it’s October, and Fun Palaces weekend is here. Since its invention in 2014, the Fun Palaces idea has burst
Category: History
What we have lost, and what we hold to still
I am looking up at the third floor window of number 36 – smaller than the windows below. We know there is a window seat inside. It’s where the midwife sat, almost 18 years ago, as our daughter Hannah gave birth to Rosa May, her second child, at 6am on a clear spring morning.
Talking about culture, philanthropy and democracy – Part 2
Following yesterday’s post, here is Sajida Carr‘s presentation to ADESTE+. Following on from Francois talk there have aeons of activities
Which murals are worth saving?
Murals were a cornerstone of the early community art movement. Between the 1960s and 1990s, hundreds were painted, mostly outdoors,
Remote residencies: a paid opportunity for community artists in England
In the last post on this site, I wrote about the challenges that Covid-19 presents to anyone who makes community
The Roots of War: Continuing a conversation with Arlene Goldbard
A couple of weeks ago, I published a text on the ethics of participatory art by Arlene Goldbard on A
Talking about the ethics of participatory art
When I invited Arlene Goldbard to take up this virtual residency, it seemed a simple idea, and so it has
5. Practicing ethics
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
4. Spotting ethical challenges
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
3. What are your values and commitments?
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
A Restless Art 