Who gets paid – and why?
Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s
Category: Third generation
‘‘I didn’t realise I had so much to say until we began this conversation.’
Click here to download this case study in English (PDF 22MB) Clique aqui para descarregar este caso de estudo em
What’s in a name?
When I began thinking about this project, several years ago, I was determined to avoid the marshlands of jargon. Participatory
The complexities of socially-engaged art practice
‘What are our motives? How do we make sure this isn’t just about us as artists and what we want?
Movimento de Expressão Fotográfica
The development of a visual aesthetic culture in all its conceptual dimensions and its accessibility to EVERYONE is fundamental to
Curtain
When we met on Friday morning, there was a cheerful determination to get on with what was still to be
Things get tough
Well. Today was a challenging day. First of all, I had to dance, or at least move in roughly the
Finding our voice
The last post was about trusting the process. I didn’t expect things to happen so quickly, but a morning’s work
Community art is a high wire act
This is often the trickiest stage of a workshop – somewhere towards the end of the first half. The novelty
First steps in the cabbage field
The five day community arts summer school in Kaunas got off to a prompt start at 9am this morning. Twenty
