The complexities of socially-engaged art practice
‘What are our motives? How do we make sure this isn’t just about us as artists and what we want?
Category: Third generation
Movimento de Expressão Fotográfica
The development of a visual aesthetic culture in all its conceptual dimensions and its accessibility to EVERYONE is fundamental to
Curtain
When we met on Friday morning, there was a cheerful determination to get on with what was still to be
Things get tough
Well. Today was a challenging day. First of all, I had to dance, or at least move in roughly the
Finding our voice
The last post was about trusting the process. I didn’t expect things to happen so quickly, but a morning’s work
Community art is a high wire act
This is often the trickiest stage of a workshop – somewhere towards the end of the first half. The novelty
First steps in the cabbage field
The five day community arts summer school in Kaunas got off to a prompt start at 9am this morning. Twenty
Between light and dark
People are standing on the wooded slopes of Dotrščina park, their faces turned up towards the late September sunshine. Some
The Syrian Civil War in a theatre workshop – and how we got over it
Jussi Lehtonen, Finnish National Theatre Introduction The Finnish National Theatre in Helsinki is involved in a range of work with
Lanterns on the Cabbage Field
Ed Carroll and Vita Gelūnienė live in Kaunas (Lithuania) where they have been exploring ways of creating community art for
