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A Restless Art

A Restless Art

How participation won, and why it matters

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    • The Portland Inn Project
      • O Portland Inn Projeto – Um caso de estudo de arte participativa
    • ‘Men & Girls Dance’, Fevered Sleep
      • ‘Men & Girls Dance’, Um caso de estudo de arte participativa
    • Movimento de Expressão Fotográfica
      • Movimento de Expressão Fotográfica – Um caso de estudo de arte participativa
    • ‘We’re here because we’re here’
      • ‘We’re here because we’re here’ – Um caso de estudo de arte participativa
    • ‘Bed’, Entelechy Arts
      • ‘Bed’, Entelechy Arts – Um caso de estudo de arte participativa
    • Welfare State International
      • Welfare State International – Um caso de estudo de arte participativa
    • Festival de Música de Setúbal
      • Festival de Música de Setúbal – um caso de estudo de arte participativa
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    • ‘L’Ego do Meu Bairro’ Olho.te
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    • The Cabbage Field Opera (Lithuania)
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    • El Colegio del Cuerpo (Colombia)
    • Multistory (UK)
    • Restoke (UK)
    • Streetwise Opera
    • Toinen Koti (Finnish National Theatre)
    • Dotrščina Virtual Museum (Croatia)
    • Geração SOMA, Vo’Arte (Portugal)
    • A Bao A Qu (Spain)
    • The Lawnmowers Independent Theatre Company (UK)
    • Banlieues Bleues (France)
    • Mahatat for contemporary art (Egypt)
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  • About
    • François Matarasso
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Category: Ethics

November 5, 2019 A Restless Art / Ethics / Where do you stand?

Instrumentalisation: a convenient mask

For as long as I can remember, the accusation of instrumentalising art has been flung at community artists, as a

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September 12, 2019 A Restless Art / Ethics / Reflexive practice / Where do you stand? / Writing

Who are you writing for?

Reading yet another account of a community outreach project undertaken by an arts organisation, I could feel my heart sinking

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June 29, 2019 A Restless Art / Art and young people / Ethics / Spain / Third generation / Visual art

‘Here we found a space to think’

When I argued – as I still do – that people benefit from participating in art, it is because of its potential for learning, emancipation and empowerment. Experience changes us. Powerful experiences, such as those that come from creating art with other people, can change us deeply. But that change is something we do for ourselves: it is not done to us

March 14, 2019 A Restless Art / Ethics / First Generation

Questions I can’t answer

It’s messy, difficult, compromised—but at its best community art can be joyously emancipatory. It shows us that we will only find pathways to a better place if we work together. We need each other. And we need to keep asking questions we can’t answer.

November 6, 2018 A Restless Art / Book extracts / Ethics / Reflexive practice

Respecting other people’s reasons for (not) participating

Making a book is enjoyable but demanding too, especially as the deadline for sending digital files to the printer approaches.

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October 28, 2018 A Restless Art / Ethics / Italy / Malta / Reflexive practice

More questions than answers: stories, art and ownership

On Tuesday, I spoke about participatory art at a conference in Valletta. The questions people raised afterwards were mostly the

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September 26, 2018 A Restless Art / Bosnia Herzegovina / Education / Ethics / Photography / Projects / Third generation / Writing

‘Ja sam Muzej’ (Bosnia Herzegovina)

“I am the Museum” is a civil society and media action aimed to mobilize a massive citizens engagement to save

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September 16, 2018 A Restless Art / Ethics / First Generation / Guest contributions / India / Netherlands / New Zealand / Philippines / Reflexive practice / Research / Second generation / Theatre / Third generation / Where do you stand?

Restless Research: Confessions of a Confused Community Art Scholar

  If you’ve read some of the material published on this site, I hope you’ll understand why I describe participatory

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August 1, 2018 A Restless Art / Ethics / Professional artists / Projects / Third generation / Where do you stand?

On volunteering: who gets paid (cont.)

A few days ago, I wrote a post about who does, could or should get paid for their time in

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July 22, 2018 Czech Republic / Ethics / Europe / France / Germany / Romania / Spain / Theatre / Third generation / Where do you stand? / Writing

Who gets paid – and why?

Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s

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