‘‘I didn’t realise I had so much to say until we began this conversation.’
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How participation won, and why it matters
Click here to download this case study in English (PDF 22MB) Clique aqui para descarregar este caso de estudo em
People are standing on the wooded slopes of Dotrščina park, their faces turned up towards the late September sunshine. Some
The last post, which asked what an artist needs to know about the people they’re working with, drew lots of
‘Care in the Community’ was a flagship policy of the third Thatcher government at the end of the 1980s. It
In A Native Hill (1968) the American poet Wendell Berry writes about his decision to root his art where he
Why describe participation as a ‘restless’ art? My original reason was simply that the practice of professional artists involving others in
‘That’s a bad idea.’ It was months ago and I don’t remember now who told me about a proposed dance project
Community artists are often accused of instrumentalising art. We can be said to instrumentalise something when we use it to
‘In the Netherlands, community art is predominantly result-oriented, whereas, until recently, in English-speaking countries the focus was on participation and
‘For me It’s an inquiry into an aspect of life that I don’t know about [that] I’m curious about it.