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A Restless Art

A Restless Art

How participation won, and why it matters

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    • Welcome words
    • Acknowledgements
    • Photography credits
    • Bibliography
    • A Restless Art in 10 minutes
  • Case studies
    • Fun Palaces
    • The Portland Inn Project
      • O Portland Inn Projeto – Um caso de estudo de arte participativa
    • ‘Men & Girls Dance’, Fevered Sleep
      • ‘Men & Girls Dance’, Um caso de estudo de arte participativa
    • Movimento de Expressão Fotográfica
      • Movimento de Expressão Fotográfica – Um caso de estudo de arte participativa
    • ‘We’re here because we’re here’
      • ‘We’re here because we’re here’ – Um caso de estudo de arte participativa
    • ‘Bed’, Entelechy Arts
      • ‘Bed’, Entelechy Arts – Um caso de estudo de arte participativa
    • Welfare State International
      • Welfare State International – Um caso de estudo de arte participativa
    • Festival de Música de Setúbal
      • Festival de Música de Setúbal – um caso de estudo de arte participativa
  • Projects
    • ‘L’Ego do Meu Bairro’ Olho.te
    • Project links
    • The Cabbage Field Opera (Lithuania)
    • Valleys Kids (Wales)
    • ‘I am the Museum’ (Bosnia Herzegovina)
    • El Colegio del Cuerpo (Colombia)
    • Multistory (UK)
    • Restoke (UK)
    • Streetwise Opera
    • Toinen Koti (Finnish National Theatre)
    • Dotrščina Virtual Museum (Croatia)
    • Geração SOMA, Vo’Arte (Portugal)
    • A Bao A Qu (Spain)
    • The Lawnmowers Independent Theatre Company (UK)
    • Banlieues Bleues (France)
    • Mahatat for contemporary art (Egypt)
  • Resources
    • Community art in Britain
    • Community art in Ireland
    • Community art in Portugal
    • Community art in the Netherlands
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    • Reports and research
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      • Reflexive practice
      • Online journals
    • Community and participatory art beyond Europe
  • About
    • François Matarasso
    • Contact me

Category: Guest contributions

April 16, 2021 A Culture of Possibility / A Restless Art / Funding / Guest contributions / Podcasts

Funding community arts – a new episode of ‘A Culture of Possibility’ podcast

In the fourth episode of our monthly podcast Arlene Goldbard and I talk about how community art is funded in

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March 24, 2021 Art and young people / Democratisation of culture / Guest contributions / Ireland / Opera / Third generation

Leaning in to the uncertainty

The pandemic has caused all sorts of trouble to the Traction project, as it has to everything and everyone, everywhere.

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January 25, 2021 England / Guest contributions

Guest blog: Art as vaccination against the Covid misery

Tony Stacey is Chief Executive of South Yorkshire Housing Association, which provides over 4,000 homes in Sheffield and the wider region.

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December 8, 2020 A Restless Art / Guest contributions

Guest blog – Evaluating arts programmes in health care

Many people have written about evaluating the outcomes of participation in the arts, especially in the past 20 years as

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September 27, 2020 A Restless Art / First Generation / Guest contributions / Projects

What we have lost, and what we hold to still

I am looking up at the third floor window of number 36 – smaller than the windows below. We know there is a window seat inside. It’s where the midwife sat, almost 18 years ago, as our daughter Hannah gave birth to Rosa May, her second child, at 6am on a clear spring morning.

September 9, 2020 Cultural democracy / Democratisation of culture / Guest contributions / Third generation

Talking about culture, philanthropy and democracy – Part 2

Following yesterday’s post, here is Sajida Carr‘s presentation to ADESTE+. Following on from Francois talk there have aeons of activities

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September 16, 2018 A Restless Art / Ethics / First Generation / Guest contributions / India / Netherlands / New Zealand / Philippines / Reflexive practice / Research / Second generation / Theatre / Third generation / Where do you stand?

Restless Research: Confessions of a Confused Community Art Scholar

  If you’ve read some of the material published on this site, I hope you’ll understand why I describe participatory

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August 24, 2018 A Restless Art / Guest contributions / Ireland / Projects / Third generation / Visual art

‘Just our imagination’

Bridget Lambert has spent the summer painting a tribute to Dolores O’Riordan with children in rural Limerick.  The singer, who

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December 20, 2017 A Restless Art / Circus / Guest contributions / Ireland / Lithuania / Music / Theatre / Third generation / Visual art

Lanterns on the Cabbage Field

Ed Carroll and Vita Gelūnienė live in Kaunas (Lithuania) where they have been exploring ways of creating community art for

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April 29, 2017 A Restless Art / Guest contributions / Wales

Guest post: Arts and older people in Wales

David Cutler, the Director of the Baring Foundation (of which I’m a trustee) has been reflecting on the strength of

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