A culture of possibility
Hope is a contraband Given how things are right now, it feels a bit uncomfortable (and late) to wish readers
How participation won, and why it matters
Hope is a contraband Given how things are right now, it feels a bit uncomfortable (and late) to wish readers
In October, I wrote about a community opera being created in County Durham that had been stopped just weeks before
Many people have written about evaluating the outcomes of participation in the arts, especially in the past 20 years as
Hope is a contraband Given how things are right now, it feels a bit uncomfortable (and late) to wish readers
In October, I wrote about a community opera being created in County Durham that had been stopped just weeks before
Many people have written about evaluating the outcomes of participation in the arts, especially in the past 20 years as
‘You know, while doing this, going through this journey, it has changed me. And, yes, I had a spiritual inkling,
About five years ago, a group of musicians and academics set up an international research platform to foster understanding of the social
Intellectual property rights have rarely been an issue during my life in community art. The projects I’ve worked consciously rejected
It began with open workshops in community halls across County Durham, from ancient places sheltered in mountain valleys to younger
Suddenly it’s October, and Fun Palaces weekend is here. Since its invention in 2014, the Fun Palaces idea has burst
Yesterday was the opening day of an international conference, focusing on the 2020 Rome Charter that was published in the summer. Along
I am looking up at the third floor window of number 36 – smaller than the windows below. We know there is a window seat inside. It’s where the midwife sat, almost 18 years ago, as our daughter Hannah gave birth to Rosa May, her second child, at 6am on a clear spring morning.