François Matarasso
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A Restless Art
By
François Matarasso
·
26 June 2016
A letter to my friends in the European Union (including, for now, the British)
January
The power in listening
Why a new site?
Resistance and change often begin in art
What art can do
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A (very short) history of the British community arts movement
A Restless Art
Cultural democratisation and cultural democracy – a critical distinction
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Current, 2025-27
A Book Worth Burning
A Selfless Art
A contested idea
What is co-creation?
Who is an artist?
Amplify
Who speaks?
A Restless Art
Projects
'L'Ego do Meu Bairro' Olho.te
The Cabbage Field Opera (Lithuania)
Valleys Kids (Wales)
'I am the Museum' (Bosnia Herzegovina)
El Colegio del Cuerpo (Colombia)
Multistory (UK)
Restoke (UK)
Streetwise Opera
Toinen Koti (Finnish National Theatre)
Dotrščina Virtual Museum (Croatia)
Geração SOMA, Vo’Arte (Portugal)
A Bao A Qu (Spain)
The Lawnmowers (UK)
Banlieues Bleues (France)
Mahatat (Egypt)
Testimonials: A Restless Art
Case studies
Fun Palaces
The Portland Inn Project
'Men & Girls Dance', Fevered Sleep
Movimento de Expressão Fotográfica
'We're here because we're here'
'Bed', Entelechy Arts
Welfare State International
Festival de Música de Setúbal
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Community art in Britain
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Traction
As An nGnách
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O tempo (Somos nós)
La Gata Perduda
‘O tempo (Somos nós)’
Archive 1980 - 2024
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Cultural Policy in a Post-Political Age
The Shoreline and the Sea
Music and Social Change
Another Angle of Vision
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All in this together
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Mohan Rana
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