There is always an alternative. Always.
On Tuesday, I facilitated a talk for the Scottish Culture Collective by my friend Heba El Cheikh. She spoke about her work as a
How participation won, and why it matters
Posts that relate to the project itself
On Tuesday, I facilitated a talk for the Scottish Culture Collective by my friend Heba El Cheikh. She spoke about her work as a
Today will see the third performance of O Tempo (Somos Nós) , “Time (It’s Us), this time at the Gulbenkian Concert
Between the Traction opera performances in the prison last week, and those that will take place in Lisbon at the
Dave Loewenstein, community murals and living democracy Browsing the artwork in Dave Loewenstein’s online shop, I was delighted by this
The problem of opera Opera is a problematic art. It’s not just the extravagant cost of producing it, or the
In another time, I was asked by Fuel Theatre to write the introduction for a book called Signal Fires, collecting
Some personal news on my other site:
Regular readers (thank you for your interest) will know my admiration and affection for John Fox, Sue Gill and the
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
In January, I began an experiment in podcasting, following an invitation from Owen Kelly and Sophie Hope, who host an