François Matarasso
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A Restless Art
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A Restless Art
By
François Matarasso
·
9 March 2020
Is opera exclusive?
The power in listening
Why a new site?
Resistance and change often begin in art
What art can do
Missing the movement
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Current, 2025-27
A Book Worth Burning
A Selfless Art
A contested idea
What is co-creation?
Who is an artist?
Amplify
Who speaks?
A Restless Art
Projects
'L'Ego do Meu Bairro' Olho.te
The Cabbage Field Opera (Lithuania)
Valleys Kids (Wales)
'I am the Museum' (Bosnia Herzegovina)
El Colegio del Cuerpo (Colombia)
Multistory (UK)
Restoke (UK)
Streetwise Opera
Toinen Koti (Finnish National Theatre)
Dotrščina Virtual Museum (Croatia)
Geração SOMA, Vo’Arte (Portugal)
A Bao A Qu (Spain)
The Lawnmowers (UK)
Banlieues Bleues (France)
Mahatat (Egypt)
Testimonials: A Restless Art
Case studies
Fun Palaces
The Portland Inn Project
'Men & Girls Dance', Fevered Sleep
Movimento de Expressão Fotográfica
'We're here because we're here'
'Bed', Entelechy Arts
Welfare State International
Festival de Música de Setúbal
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Community art in Britain
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Traction
As An nGnách
La Gata Perduda
O tempo (Somos nós)
La Gata Perduda
‘O tempo (Somos nós)’
Archive 1980 - 2024
Community art
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Where We Dream
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The 2020 Rome Charter
Old Words
Music. What is it good for?
Making Nothing Happen
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Playful Adventures
Cultural Policy in a Post-Political Age
The Shoreline and the Sea
Music and Social Change
Another Angle of Vision
Approximate Projections
All in this together
Culture and place
Scotland
Highlands and Islands
Orkney
Aberdeenshire, Scotland
South East Europe
Essays
Parliament of dreams
'Signal Fires'
Culture and development
Living Heritage
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Mohan Rana
Strategic Dilemmas in Cultural Policy
Downloads: My Work
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