François Matarasso

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  • Chris Fremantle: ‘ The Hope of Something Different’

    ‘One of the most fundamental rights is to have your understanding of the world recognised and valued’. Chris Fremantle Participatory art is a rich and diverse practice. Much of its energy comes from the creative tensions between different theories and visions, as may be seen from some of the reaction to the Turner Prize jury’s…

  • And the 2015 Turner Prize goes to… community art

    ‘If art isn’t about people and humanity, then what is it about?’ Hazel Tilley BBC Newsnight The annual Turner Prize, established ‘to celebrate new developments in contemporary art’, is known for controversy. The debate usually turns on the question of whether the prize winner has exhibited art, rather than the more meaningful one of how good it…

  • The place of storytelling in participatory art

    Is participatory art essentially about artists creating work from the raw material of other people’s life experience? That seems to be the view of some artists I’ve met recently. Their projects begin by identifying a neighbourhood or community seen to be in some kid of difficulty. A process of ‘research’ leads to collecting the stories,…

  • The restless purposes of community art

    ‘In the Netherlands, community art is predominantly result-oriented, whereas, until recently, in English-speaking countries the focus was on participation and the process.’ These words come from a book produced in preparation for Leeuwarden’s year as European Capital of Culture in 2018. The Dutch city’s programme aims ‘to strengthen community feeling through cultural participation’, and much…

  • Hope in dark days: participatory art in Greece

    The crisis in Greece has slipped from the front pages as others, even more urgent, force themselves on Europe’s consciousness. The desperate seek refuge here from war, often dying in their flight; their enemies follow with everyone in their sights. But while we struggle with these new realities, the old ones remain. The consequences of…

  • Whose story is this a chapter of?

    In the past 15 or 20 years, the contemporary art world has become increasingly interested in participation. Artists with established careers now involve people in their projects. Sometimes, as in Antony Gormley’s Field, people provide many hands. In the work of Suzanne Lacy, they may be sharing personal experience or knowledge. Other artists, like the…