‘Write this down’
It was the end of a long day. We’d run out of time and the guards needed to get us
How participation won, and why it matters
It was the end of a long day. We’d run out of time and the guards needed to get us
Today will see the third performance of O Tempo (Somos Nós) , “Time (It’s Us), this time at the Gulbenkian Concert
Between the Traction opera performances in the prison last week, and those that will take place in Lisbon at the
In the new episode of ‘A Culture of Possibility’, Arlene and I spoke with two old friends, David Slater and
In another time, I was asked by Fuel Theatre to write the introduction for a book called Signal Fires, collecting
Some personal news on my other site:
Regular readers (thank you for your interest) will know my admiration and affection for John Fox, Sue Gill and the
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
In January, I began an experiment in podcasting, following an invitation from Owen Kelly and Sophie Hope, who host an
BBC Radio has just broadcast a programme entitled ‘Everyone is an Artist’. It’s part of Archive on 4, a series
Many professional artists believe that working with non-professionals leads to an unavoidable decline in quality. That conviction is so integral
A guest post from Arlene Goldbard This post is to introduce you to the 11th episode of François Matarasso’s and
Many people know El Raval, but they know it in different ways. For tourists, it’s the lively grid of narrow