This might be my simplest blog post yet. All I want to do is encourage you to come to Rotterdam
Despite the demand for their work, participatory artists remain second-class citizens in the arts funding system. When a choreographer or
Participatory art receives more public funding today than it did, but that is still a very small proportion of public
In Britain, participatory art is at a tipping point. It will continue to grow, but how that happens will be influenced by choices that lie with public institutions: the Arts Councils in England, Wales, Scotland and Northern Ireland, art schools and universities, local councils and services.
When I argued – as I still do – that people benefit from participating in art, it is because of its potential for learning, emancipation and empowerment. Experience changes us. Powerful experiences, such as those that come from creating art with other people, can change us deeply. But that change is something we do for ourselves: it is not done to us
On Saturday, the postman brought a copy of the Castelvecchi Chronicle, a newspaper of goings on, in and around a fish
The ideas vary in style, duration and resources, from a short workshop to projects lasting several months There’s are lots of nourishing stuff, some you might want to adapt and replicate, some that could just spark new ideas in your own work
Someone asked what plan I’d prepared before the project and there was some surprise when I said that I didn’t have one, just an idea.
The books have arrived, and I’m making 12 parcels of authors’ copies and more for people who’ve helped along the
In the past ten days, I have visited two exceptional community art projects: ACERT in Tondela (Portugal) and Cork Community
Download Uma Arte Irrequieta, Reflexões sobre o triunfo e importância da prática participativa It is not an accident that A