François Matarasso
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A Book Worth Burning
A Restless Art
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A Restless Art
Feeling at home in your own city
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Time to go inward
Cultural democratisation and cultural democracy – a critical distinction
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Why Joan Littlewood Matters – possibly more now than ever
Living in negative capability
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Current, 2025-27
A Book Worth Burning
A Selfless Art
A contested idea
What is co-creation?
Who is an artist?
Amplify
Who speaks?
A Restless Art
Projects
'L'Ego do Meu Bairro' Olho.te
The Cabbage Field Opera (Lithuania)
Valleys Kids (Wales)
'I am the Museum' (Bosnia Herzegovina)
El Colegio del Cuerpo (Colombia)
Multistory (UK)
Restoke (UK)
Streetwise Opera
Toinen Koti (Finnish National Theatre)
Dotrščina Virtual Museum (Croatia)
Geração SOMA, Vo’Arte (Portugal)
A Bao A Qu (Spain)
The Lawnmowers (UK)
Banlieues Bleues (France)
Mahatat (Egypt)
Testimonials: A Restless Art
Case studies
Fun Palaces
The Portland Inn Project
'Men & Girls Dance', Fevered Sleep
Movimento de Expressão Fotográfica
'We're here because we're here'
'Bed', Entelechy Arts
Welfare State International
Festival de Música de Setúbal
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Community art in Britain
Community art in Ireland
Community art in Portugal
Community art in the Netherlands
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Community and participatory art beyond Europe
Traction
As An nGnách
La Gata Perduda
O tempo (Somos nós)
La Gata Perduda
‘O tempo (Somos nós)’
Archive 1980 - 2024
Community art
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Regular Marvels
Where We Dream
Winter Fires
The Light Ships
The 2020 Rome Charter
Old Words
Music. What is it good for?
Making Nothing Happen
Prisoners of love
The Art of Uncertainty
Playful Adventures
Cultural Policy in a Post-Political Age
The Shoreline and the Sea
Music and Social Change
Another Angle of Vision
Approximate Projections
All in this together
Culture and place
Scotland
Highlands and Islands
Orkney
Aberdeenshire, Scotland
South East Europe
Essays
Parliament of dreams
'Signal Fires'
Culture and development
Living Heritage
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Mohan Rana
Strategic Dilemmas in Cultural Policy
Downloads: My Work
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François Matarasso