Fotothek_df_roe-neg_0002792_002_Portrait_Dmitri_Dmitrijewitsch_Schostakowitchs_im_Publikum_der_Bachfeier
Dimitri Shostakovich in Dresden (1950) © Deutsche Fotothek, Wikimedia

Art belongs to everybody and nobody. Art belongs to all time and no time. Art belongs to those who create it and those who savour it. Art no more belongs to the People and the Party then it once belonged to the aristocracy and the patron. Art is the whisper of history, heard above the noise of time. Art does not exist for art’s sake: it exists for people’s sake. But which people, and who defines them? He always thought of his own art as anti-aristocratic. Did he write, as his detractors maintained, for a bourgeois cosmopolitan elite? No. Did he write, as his detractors wanted him to, for the Donbass miner weary from his shift and in need of a soothing pick-me-up? No. He wrote music for everyone and no one. He wrote music for those those who best appreciated the music he wrote, regardless of social origin. He wrote music for the ears that could hear. And he knew, therefore, that all true definitions of art are circular, and all untrue definitions of art ascribe to it a specific function.

Julian Barnes, 2016, The Noise of Time (p.91-2)

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