Skip to content

A Selfless Art

Thinking about culture because people matter

  • Home
    • François Matarasso
    • Contact me
  • Blog
    • Subscribe
  • Community art
    • Traction
    • A Restless Art
      • About
      • A Restless Art in 10 minutes
      • How to get ‘A Restless Art’
      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2023)
  • Commissions
    • Living Heritage (1998-2005)

OLYMPUS DIGITAL CAMERA

August 19, 2016 Return to: Time in participatory and community artFull resolution (860 × 860)

Image navigation

Previous Image
Next Image
Reactor - Total Ghaos (2006)

Most viewed posts

  • Co-creation
  • Why Nicholas Hytner is wrong about how to save the arts in England
  • The complexities of cultural democracy
  • Connections and differences between participatory art and community art
  • A satisfactory philosophy of ignorance
  • Remembering Steve Lobb, muralist and pioneer of community art
  • Understanding participatory and community art (Part 1)
  • Guest blog - Evaluating arts programmes in health care
  • English visionaries: John Fox, Sue Gill and Welfare State
  • The complexities of socially-engaged art practice
Follow A Selfless Art on WordPress.com

Activism Arlene Goldbard Art practice Arts and disability Arts and health Arts and older people Arts Council England Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community music Community opera Community theatre Creative Writing Cultural democracy cultural democratisation Education Entelechy Arts ethics Europe European cultural policy Evaluation Fun Palaces Joan Littlewood memory Murals Music music education opera Participatory art Podcast Portugal Quality social change socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Traction Welfare State International young people

Create a website or blog at WordPress.com
  • Follow Following
    • A Selfless Art
      • Join 728 other followers
    • Already have a WordPress.com account? Log in now.
    • A Selfless Art
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar