• Vimeo
  • Twitter
Skip to content
Thinking about participatory art

Thinking about participatory art

  • About
    • François Matarasso
    • Contact me
    • Thanks
  • Case studies
    • ‘Men & Girls Dance’, Fevered Sleep
      • ‘Men & Girls Dance’, Um caso de estudo de arte participativa
    • The Portland Inn Project
      • O Portland Inn Projeto – Um caso de estudo de arte participativa
    • Movimento de Expressão Fotográfica
      • Movimento de Expressão Fotográfica – Um caso de estudo de arte participativa
    • ‘We’re here because we’re here’
      • ‘We’re here because we’re here’ – Um caso de estudo de arte participativa
    • ‘Bed’, Entelechy Arts
      • ‘Bed’, Entelechy Arts – Um caso de estudo de arte participativa
    • Welfare State International
      • Welfare State International – Um caso de estudo de arte participativa
    • Festival de Música de Setúbal
      • Festival de Música de Setúbal – um caso de estudo de arte participativa
  • Projects
    • Multistory (UK)
    • The Cabbage Field Opera (Lithuania)
    • Toinen Koti (Finnish National Theatre)
    • Dotrščina Virtual Museum (Croatia)
    • The Lawnmowers Independent Theatre Company (UK)
    • Banlieues Bleues (France)
    • Mahatat for contemporary art (Egypt)
  • Resources
    • Community art in Britain
    • Community art in Ireland
    • Community art in Portugal
    • Community art in the Netherlands
    • Guides and handbooks
    • Reports and research
    • Online journals
    • Community and participatory art beyond Europe
  • Links
    • Arts education
    • Circus
    • Combined art
    • Dance
    • Literature
    • Music
    • Neighbourhood projects
    • Networks
    • New media
    • Other art forms
    • Theatre
    • Visual art
August 23, 2016 A Restless Art

What art does

Posted by Francois Matarasso

Young people's dance project from the Living Heritage programme in Bulgaria, 2004

•

(Oresh dance project from the Living Heritage programme, Bulgaria, 2004)

Share this:

  • Twitter
  • Facebook
  • Google

Like this:

Like Loading...

Related

Post navigation

Previous Post

Time in participatory and community art

Next Post

The difference between teaching and learning: Participatory art and the skills agenda

François Matarasso

My Tweets

Categories

  • A Restless Art (122)
    • Case studies (18)
    • Projects (18)
  • Art forms (61)
    • Applied art (5)
    • Architecture (2)
    • Circus (4)
    • Comics (1)
    • Craft (3)
    • Dance (10)
    • Film (6)
    • Music (23)
    • Opera (13)
    • Photography (9)
    • Theatre (29)
    • Traditional art (1)
    • Visual art (18)
    • Writing (1)
  • History (40)
    • First Generation (15)
    • Second generation (11)
    • Third generation (18)
  • Ideas (51)
    • Art and older people (1)
    • Disability art (3)
    • Education (3)
    • Ethics (9)
    • Funding (1)
    • Guest contributions (4)
    • Professional artists (2)
    • Quotes (1)
    • Reflexive practice (13)
    • Research (3)
    • Skills (3)
    • Where do you stand? (10)
  • Places (58)
    • Croatia (2)
    • Czech Republic (1)
    • Egypt (1)
    • England (27)
    • Europe (2)
    • France (2)
    • Germany (1)
    • Greece (1)
    • Hungary (1)
    • Ireland (3)
    • Lithuania (7)
    • Morocco (2)
    • Netherlands (1)
    • Northern Ireland (1)
    • Norway (2)
    • Portugal (8)
    • Romania (1)
    • Scotland (6)
    • Spain (6)
    • Tunisia (1)
    • Wales (5)

Archives

Latest posts

  • Be SpectACTive!
  • What’s in a name?
  • The complexities of socially-engaged art practice
  • ‘Just watch, and listen, and take in their story.’
  • ‘It’s not a fixed or ready-made thing’
Francois Matarasso

Francois Matarasso

I'm a community arts worker, writer and researcher based in the UK.

Personal Links

  • Regular Marvels
  • Parliament of Dreams
  • A Restless Art

View Full Profile →

Category Cloud

Applied art A Restless Art Case studies Circus Craft Dance Education England Ethics Film First Generation Guest contributions Ideas Ireland Lithuania Music Opera Photography Portugal Projects Reflexive practice Research Scotland Second generation Spain Theatre Third generation Visual art Wales Where do you stand?

Tags

Amber Film & Photography Collective artistic quality Art practice Arts and disability Arts and learning disability Arts and older people Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community arts Community music Community theatre Entelechy Arts Fun Palaces History of British Photography Joan Littlewood memory Murray Martin Music music education Participatory art Portugal socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Welfare State International

Blog Stats

  • 66,866 hits

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,193 other followers

Follow Thinking about participatory art on WordPress.com
Blog at WordPress.com.
Cancel
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
%d bloggers like this: