François Matarasso

Blog

arestlessart.com/

Profile

arestlessart.com/author/regula

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  • On volunteering: who gets paid (cont.)

    A few days ago, I wrote a post about who does, could or should get paid for their time in participatory projects. It got a lot of interest, and it’s one of the most-read posts I’ve written this year. In some online discussion about it, the question of volunteering came up, which surprised me because…

  • Why are there so few books about community art?

    There are very few books about community art in Britain, despite its 50 year history. The key texts are: 1978, Artists and People by Su Braden 1984, Community, Art and the State: Storming the Citadels by Owen Kelly 1995, Art with People, edited by Malcolm Dickson To them can be added two recent books: Kate Crehan’s Community Art, An…

  • Keep your eyes on the prize, hold on

    In A Restless Art (the book, not the blog) I argue that participation has become normalised in cultural policy and the art world. I try to show how profound that change has been over the last 50 years, and to explain how it marks the closure of a rift in art that opened in the…

  • Who gets paid – and why?

    Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s resources, what I’ve been asked to do, and my own wish to do it. So my choices about what work to take on hover between interest and need, but at least I get to choose.…

  • ‘‘I didn’t realise I had so much to say until we began this conversation.’

    Click here to download this case study in English (PDF 22MB) Clique aqui para descarregar este caso de estudo em português (PDF 15MB) What do you see? I don’t remember now who told me about a proposed dance project involving men and girls, but I do remember my reaction: that’s a really bad idea. A…

  • Be SpectACTive!

    Be SpectACTive! describes itself as ‘a European project based on audience development, involving some of the most innovative European organizations working on active spectatorship in contemporary performing arts.’ The project includes theatres, festivals foundations, universities and research institutes in the Czech Republic, Croatia, France, Hungary, Italy, Romania, Spain and the UK. The project has just published…