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‘The fèis is very important to me because I am not very musical. I don’t play any instruments or sing, so coming to the fèis makes me see how brilliant all the different musical instruments sound, and to be lucky to meet so many talented people. I love having a go on instruments such as the guitar, tin whistle, and I even have a shot at Gaelic singing.’

Next month, I’m giving a talk about creative and participatory approaches to children’s music education, for Ukelila in Belgium. Preparing for that sent me back to a study I did in 1996 of the fèisean  or Gaelic festivals that have flourished in the Scottish Highlands and Islands in the last 30 years. This remarkable movement, which began with a community initiative on the Hebridean island of Barra, now counts 46 independent organisations, providing access to Gaelic music and culture to some 6,000 young people each year. It was moving to re-read some of the voices of the children I interviewed then. Some of them will now be taking their own children to the the fèis. And people wonder whether art changes the world.

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