François Matarasso

Thinking about culture as if people mattered

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      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
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    • Regular Marvels (2010-2015)
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    • Living Heritage (1998-2005)

Category: Scotland

February 10, 2022February 10, 2022 François Matarasso

Signal Fires

November 13, 2020 François Matarasso

Understanding community music – can you help?

June 17, 2019 François Matarasso

Castelvecchi Chronicle

April 28, 2019June 10, 2019 François Matarasso

Searching for light in the participatory museum

October 6, 2018 François Matarasso

One for the historians

September 25, 2018 François Matarasso

(Other people) thinking about cultural democracy

September 4, 2018September 22, 2018 François Matarasso

‘It’s given us permission to play, to take part, to engage.’

July 30, 2018September 2, 2018 François Matarasso

Why are there so few books about community art?

May 29, 2018June 1, 2018 François Matarasso

‘I hope it was a slight jolt for the public.’

February 24, 2018April 18, 2018 François Matarasso

Cultural heritage and participation

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Most viewed posts

  • Connections and differences between participatory art and community art
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  • Why are there so few books about community art?
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  • Co-creation
  • Renewing opera
  • A community of many voices
  • A (very short) history of the British community arts movement
  • Understanding participatory and community art (Part 1)
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