Blinkered by my privilege
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
How participation won, and why it matters
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
In March, I posted a question on Twitter about co-creation. What do artists mean by ‘co-creation’? I’m writing about the
The clue’s in the name: participatory art happens when people get to participate. The closure of cinemas, theatres and music
The pandemic has caused all sorts of trouble to the Traction project, as it has to everything and everyone, everywhere.
Yesterday was the opening day of an international conference, focusing on the 2020 Rome Charter that was published in the summer. Along
Following yesterday’s post, here is Sajida Carr‘s presentation to ADESTE+. Following on from Francois talk there have aeons of activities
ADESTE+ is a European project dedicated to increasing cultural participation, supported by the EU’s Creative Europe funding. With 15 partners from
Everyone knows the theatres are closed, along with cinemas, concert halls, museums and galleries. Yesterday, the 2020 Edinburgh Festivals were
Tomorrow evening at the Young Vic Theatre in London, I will give the 10th Annual Anne Peaker Memorial lecture, on
When I was a young and earnest community artist, I bridled at the word fun. The art we made wasn’t