François Matarasso

Thinking about culture as if people mattered

Menu Skip to content
  • Home
    • About me
    • Contact me
  • Blog
    • Subscribe
  • Community art
    • Traction
    • A Restless Art
      • About
      • A Restless Art in 10 minutes
      • How to get ‘A Restless Art’
      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2022)
  • Commissions
    • Living Heritage (1998-2005)

Category: Third generation

January 20, 2023January 19, 2023 François Matarasso

A Culture of Possibility Podcast #25 – Jasmina Ibrahimovic 

September 12, 2022December 26, 2022 François Matarasso

‘The MIAAW Monthly’, a cultural democracy email

August 9, 2022August 9, 2022 François Matarasso

Virtual Realities, Part One

July 28, 2022July 28, 2022 François Matarasso

There is always an alternative. Always.

June 13, 2022June 13, 2022 François Matarasso

‘From little things, big things grow’

June 2, 2022June 2, 2022 François Matarasso

This is special

February 10, 2022February 10, 2022 François Matarasso

Signal Fires

December 5, 2021December 4, 2021 François Matarasso

Some thoughts on podcasting

November 28, 2021November 28, 2021 François Matarasso

Safari park lions

September 12, 2021September 12, 2021 François Matarasso

Another Standard: How to judge community art

Posts navigation

Older posts

Most viewed posts

  • The function and purposes of art
  • A (very short) history of the British community arts movement
  • 'Cabaret de la Gata' - Traction takes off
  • Remembering Craigmillar Festival Society
  • Renewing opera
  • A community of many voices
  • Connections and differences between participatory art and community art
  • Co-creation
  • Why are there so few books about community art?
  • A Culture of Possibility #3: Clare Reynolds on Restoke’s Work in Staffordshire
Follow François Matarasso on WordPress.com

Activism Arlene Goldbard Art practice Arts and disability Arts and health Arts and older people Arts Council England Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community music Community opera Community theatre Creative Writing Cultural democracy cultural democratisation Education Entelechy Arts ethics Europe European cultural policy Evaluation Fun Palaces Joan Littlewood Lithuania memory Murals Music music education opera Participatory art Podcast Portugal Quality social change socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Traction Welfare State International young people

Blog Stats

  • 243,677 hits
Website Built with WordPress.com.
François Matarasso
Website Built with WordPress.com.
  • Follow Following
    • François Matarasso
      • Join 684 other followers
    • Already have a WordPress.com account? Log in now.
    • François Matarasso
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...