The Roots of War: Continuing a conversation with Arlene Goldbard
A couple of weeks ago, I published a text on the ethics of participatory art by Arlene Goldbard on A
How participation won, and why it matters
A couple of weeks ago, I published a text on the ethics of participatory art by Arlene Goldbard on A
Many artists who work with people now find themselves with time on their hands as governments escalate measures to slow
Listening to a radio discussion about failure in the arts, I asked myself why I’ve always had reservations about the
Reading yet another account of a community outreach project undertaken by an arts organisation, I could feel my heart sinking
Making a book is enjoyable but demanding too, especially as the deadline for sending digital files to the printer approaches.
On Tuesday, I spoke about participatory art at a conference in Valletta. The questions people raised afterwards were mostly the
Today, I turn sixty. Such anniversaries are foreseeable, and this one’s long presence on my personal horizon was a reason
If you’ve read some of the material published on this site, I hope you’ll understand why I describe participatory
There are very few books about community art in Britain, despite its 50 year history. The key texts are: 1978, Artists
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