Whose (community) opera is it anyway?
Intellectual property rights have rarely been an issue during my life in community art. The projects I’ve worked consciously rejected
How participation won, and why it matters
Intellectual property rights have rarely been an issue during my life in community art. The projects I’ve worked consciously rejected
In 1990s Britain the term community art began to be replaced by participatory arts, which many people hoped didn’t carry ‘the baggage of
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she shares her ideas about the values and
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she will share her thinking about the values
Arlene Goldbard is an artist and activist who has dedicated her life to social justice and cultural democracy in the
See all posts on A Restless Art about ‘ETHICS’ A necessary concern with ethics is one of the ways that
On Tuesday, I’d planned to go to Leeds to meet Alan Lane of Slung Low, and learn at first hand