Who gets paid – and why?
Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s
Category: Where do you stand?
‘‘I didn’t realise I had so much to say until we began this conversation.’
Click here to download this case study in English (PDF 22MB) Clique aqui para descarregar este caso de estudo em
The complexities of socially-engaged art practice
‘What are our motives? How do we make sure this isn’t just about us as artists and what we want?
Between light and dark
People are standing on the wooded slopes of Dotrščina park, their faces turned up towards the late September sunshine. Some
Art outside the art world
In A Native Hill (1968) the American poet Wendell Berry writes about his decision to root his art where he
Anyone can do it
This guest post was written by Julia Rone, a Bulgarian friend who has been researching social activism in the wake
In unstable times, we need a restless art.
Why describe participation as a ‘restless’ art? My original reason was simply that the practice of professional artists involving others in
Speaking of community art
Someone recently suggested to me that I should speak of ‘Art in the Community’ because community art seemed to be
Time in participatory and community art
Time is an important factor in differentiating in participatory and community art. The shorter the project, the less potential for
Artistic quality and participatory performing arts
Yesterday I facilitated a learning event at the Calouste Gulbenkian Foundation in London as part of its Sharing the Stage
