Blinkered by my privilege
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
How participation won, and why it matters
For decades, longer even, cultural policy in Europe has been imagined as a conflict between two ideas. The first is
How do you judge a work of art? Even asking the question implies a series of judgements and beliefs. The
With everything that is happening to us, I’ve rather neglected this site recently, writing elsewhere about community opera and how
Tomorrow evening at the Young Vic Theatre in London, I will give the 10th Annual Anne Peaker Memorial lecture, on
“I am the Museum” is a civil society and media action aimed to mobilize a massive citizens engagement to save
There are very few books about community art in Britain, despite its 50 year history. The key texts are: 1978, Artists
‘The fèis is very important to me because I am not very musical. I don’t play any instruments or sing,
Farnham is a handsome market town in Surrey, an ancient place with a castle, Roman roads and hill forts. It
The value of participatory art in informal education has long been recognised. People who take part in such projects can gain