François Matarasso

Thinking about culture as if people mattered

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    • Traction
    • A Restless Art
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      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2022)
  • Commissions
    • Living Heritage (1998-2005)

Category: Disability art

April 15, 2020 François Matarasso

It’s still A Dead Good Life

March 3, 2019April 28, 2019 François Matarasso

I remember workshops

July 1, 2018 François Matarasso

‘Just watch, and listen, and take in their story.’

May 15, 2018May 28, 2018 François Matarasso

‘We want to be remembered.’

February 6, 2018April 18, 2018 François Matarasso

Who is changed by participatory art?

Most viewed posts

  • Connections and differences between participatory art and community art
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  • Remembering Craigmillar Festival Society
  • Co-creation
  • Renewing opera
  • A community of many voices
  • A (very short) history of the British community arts movement
  • Understanding participatory and community art (Part 1)
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