Second generation – Thinking about participatory art

‘Just watch, and listen, and take in their story.’

Don’t feel guilty. Don’t feel sorry. Don’t look away. Just watch, and listen, and take in their story. This Is

We’re here Choked by this #Somme100 commemoration. At a time when being British makes little sense, just beautiful. #wearehere Tweet

‘Sometimes you’ve got to take risks for the unknown. You don’t know what you are going into but you’ve got

Participatory art depends on many things, including some that it is easy, in more affluent parts of the world, to

‘Care in the Community’ was a flagship policy of the third Thatcher government at the end of the 1980s. It

(Scroll down for the English text) L’élection présidentielle française, dont le second tour aura lieu le 7 mai, remplit en

‘But what is it for?’ was a question often asked by funders. There has been at least one serious attempt

‘That’s a bad idea.’ It was months ago and I don’t remember now who told me about a proposed dance project

My early steps in community art In 1982, I got a job as a community arts worker on a council

ver más abajo para leer este texto en español… A performance about bodies and long lives opened Spain’s annual conference