François Matarasso

Thinking about culture as if people mattered

Menu Skip to content
  • Home
    • About me
    • Contact me
  • Blog
    • Subscribe
  • Community art
    • Traction
    • A Restless Art
      • About
      • A Restless Art in 10 minutes
      • How to get ‘A Restless Art’
      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2022)
  • Commissions
    • Living Heritage (1998-2005)

Category: France

December 5, 2018December 5, 2018 François Matarasso

A brief observation on aerosols

October 12, 2018October 12, 2018 François Matarasso

Is there a community arts movement once more?

July 22, 2018November 11, 2019 François Matarasso

Who gets paid – and why?

July 13, 2018July 13, 2018 François Matarasso

Be SpectACTive!

May 5, 2017April 18, 2018 François Matarasso

Lycéens à La Dynamo

Most viewed posts

  • The difference between a professional and a non-professional artist – Part 1
  • Connections and differences between participatory art and community art
  • The difference between a professional and a non-professional artist – Part 2
  • Co-creation
  • A (very short) history of the British community arts movement
  • 4. Spotting ethical challenges
  • The difference between a professional and a non-professional artist – Part 3
  • 1. Values and Ethics of Participatory Arts Practice
  • The function and purposes of art
  • Why are there so few books about community art?
Follow François Matarasso on WordPress.com

Activism Arlene Goldbard Art practice Arts and disability Arts and health Arts and older people Arts Council England Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community music Community opera Community theatre Creative Writing Cultural democracy cultural democratisation Education Entelechy Arts ethics Europe European cultural policy Evaluation Fun Palaces Joan Littlewood Lithuania memory Murals Music music education opera Participatory art Podcast Portugal Quality social change socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Traction Welfare State International young people

Blog Stats

  • 244,207 hits
Website Built with WordPress.com.
  • Follow Following
    • François Matarasso
      • Join 684 other followers
    • Already have a WordPress.com account? Log in now.
    • François Matarasso
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...