‘It’s given us permission to play, to take part, to engage.’
‘A Fun Palace is not a fete. It’s not about coming along and having a lovely time. It’s not audience
Category: Case studies
‘‘I didn’t realise I had so much to say until we began this conversation.’
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The complexities of socially-engaged art practice
‘What are our motives? How do we make sure this isn’t just about us as artists and what we want?
Movimento de Expressão Fotográfica
The development of a visual aesthetic culture in all its conceptual dimensions and its accessibility to EVERYONE is fundamental to
‘I hope it was a slight jolt for the public.’
We’re here Choked by this #Somme100 commemoration. At a time when being British makes little sense, just beautiful. #wearehere Tweet
‘We want to be remembered.’
‘Sometimes you’ve got to take risks for the unknown. You don’t know what you are going into but you’ve got
‘Brave people with big eyes’
The end of Welfare State Ulverston is a country town a mile or two from Morecambe Bay, in North West
‘And every single one of them is a musician of real quality.’
Teaching failure Did you learn to play a musical instrument as a child? Classical music is a pinnacle of human
Between light and dark
People are standing on the wooded slopes of Dotrščina park, their faces turned up towards the late September sunshine. Some
The Syrian Civil War in a theatre workshop – and how we got over it
Jussi Lehtonen, Finnish National Theatre Introduction The Finnish National Theatre in Helsinki is involved in a range of work with
A Restless Art 