François Matarasso

Thinking about culture as if people mattered

Menu Skip to content
  • Home
    • About me
    • Contact me
  • Blog
    • Subscribe
  • Community art
    • Traction
    • A Restless Art
      • About
      • A Restless Art in 10 minutes
      • How to get ‘A Restless Art’
      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2022)
  • Commissions
    • Living Heritage (1998-2005)

Tag: Calouste Gulbenkian Foundation

May 30, 2016May 30, 2016 François Matarasso

Murals, craft and community art in the 1980s

October 26, 2015January 4, 2017 François Matarasso

Against the odds: Opera in a Portuguese prison

October 20, 2015January 4, 2017 François Matarasso

Participatory art in Portugal

September 22, 2015December 1, 2015 François Matarasso

Introducing ‘A Restless Art’

Most viewed posts

  • The function and purposes of art
  • A (very short) history of the British community arts movement
  • 'Cabaret de la Gata' - Traction takes off
  • Remembering Craigmillar Festival Society
  • Renewing opera
  • A community of many voices
  • Connections and differences between participatory art and community art
  • Co-creation
  • Why are there so few books about community art?
  • A Culture of Possibility #3: Clare Reynolds on Restoke’s Work in Staffordshire
Follow François Matarasso on WordPress.com

Activism Arlene Goldbard Art practice Arts and disability Arts and health Arts and older people Arts Council England Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community music Community opera Community theatre Creative Writing Cultural democracy cultural democratisation Education Entelechy Arts ethics Europe European cultural policy Evaluation Fun Palaces Joan Littlewood Lithuania memory Murals Music music education opera Participatory art Podcast Portugal Quality social change socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Traction Welfare State International young people

Blog Stats

  • 243,677 hits
Website Built with WordPress.com.
  • Follow Following
    • François Matarasso
      • Join 684 other followers
    • Already have a WordPress.com account? Log in now.
    • François Matarasso
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar