Three days ago, anticipating the first performance of the Leiria prison opera, I wrote that I didn’t expect to see
When I talk about community art practice with younger or less experienced artists, I often warn against offering friendship to
In the previous post, I outlined a range of resources that professional artists can draw on in their work, including
Welcome to Arlene Goldbard’s virtual residency on ‘A Restless Art’, in which she will share her thinking about the values
By what right does an artist set out to produce even the conditions of change in others? And what responsibilities does she have towards those who may be put in the path of change, without being fully aware of that possibility or its effects?
Is participatory art essentially about artists creating work from the raw material of other people’s life experience? That seems to