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A Restless Art

A Restless Art

How participation won, and why it matters

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  • Case studies
    • Fun Palaces
    • The Portland Inn Project
      • O Portland Inn Projeto – Um caso de estudo de arte participativa
    • ‘Men & Girls Dance’, Fevered Sleep
      • ‘Men & Girls Dance’, Um caso de estudo de arte participativa
    • Movimento de Expressão Fotográfica
      • Movimento de Expressão Fotográfica – Um caso de estudo de arte participativa
    • ‘We’re here because we’re here’
      • ‘We’re here because we’re here’ – Um caso de estudo de arte participativa
    • ‘Bed’, Entelechy Arts
      • ‘Bed’, Entelechy Arts – Um caso de estudo de arte participativa
    • Welfare State International
      • Welfare State International – Um caso de estudo de arte participativa
    • Festival de Música de Setúbal
      • Festival de Música de Setúbal – um caso de estudo de arte participativa
  • Projects
    • ‘L’Ego do Meu Bairro’ Olho.te
    • Project links
    • The Cabbage Field Opera (Lithuania)
    • Valleys Kids (Wales)
    • ‘I am the Museum’ (Bosnia Herzegovina)
    • El Colegio del Cuerpo (Colombia)
    • Multistory (UK)
    • Restoke (UK)
    • Streetwise Opera
    • Toinen Koti (Finnish National Theatre)
    • Dotrščina Virtual Museum (Croatia)
    • Geração SOMA, Vo’Arte (Portugal)
    • A Bao A Qu (Spain)
    • The Lawnmowers Independent Theatre Company (UK)
    • Banlieues Bleues (France)
    • Mahatat for contemporary art (Egypt)
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      • Reflexive practice
      • Online journals
    • Community and participatory art beyond Europe
  • About
    • François Matarasso
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Tag: Participatory art

June 2, 2022 Art in criminal justice / Cultural democracy / Opera / Portugal / Third generation

This is special

In the dusty hall of a disused prison workshop, 30 people shuffle into a big circle. Silence falls. They draw

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March 17, 2022 Opera / Spain

‘Cabaret de la Gata’ – Traction takes off

As the pandemic recedes—or perhaps becomes normalised—it is becoming hard to recall the strangeness of those lockdown months, and the

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November 28, 2021 A Restless Art / First Generation / Second generation / Third generation / Visual art / Where do you stand?

Safari park lions

BBC Radio has just broadcast a programme entitled ‘Everyone is an Artist’. It’s part of Archive on 4, a series

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November 21, 2021 A Restless Art / Ethics / Reflexive practice / Where do you stand?

What do you expect?

Many professional artists believe that working with non-professionals leads to an unavoidable decline in quality. That conviction is so integral

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November 14, 2021 A Restless Art / Opera / Spain

A community of many voices

Many people know El Raval, but they know it in different ways. For tourists, it’s the lively grid of narrow

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September 20, 2021 A Restless Art / Art and older people / England / Second generation / Writing

‘Wish You Were Here’ – A community art project during lockdown

In late January 2021, in the depth of winter and the midst of lockdown, a small group of people gathered

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September 6, 2021 A Restless Art / Book extracts

The difference between a professional and a non-professional artist – A Postscript

The other big difference for WBOS is that they are enacting a production created by others – by professionals. They

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September 5, 2021 Intentions / Ireland / Opera / Reflexive practice / Third generation / Where do you stand?

The difference between a professional and a non-professional artist – Part 3

In the previous post, I outlined a range of resources that professional artists can draw on in their work, including

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September 4, 2021 Intentions / Ireland / Professional artists / Where do you stand?

The difference between a professional and a non-professional artist – Part 2

What does ‘professional’ mean? Like many words, professional has changed its meaning over the course of history, adapting itself to society’s evolving

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August 5, 2021 Writing

Trusting the process, again

In January 2021, for the first time in my life, I wrote a long, detailed outline for a community art

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