François Matarasso

Thinking about culture as if people mattered

Menu Skip to content
  • Home
    • About me
    • Contact me
  • Blog
    • Subscribe
  • Community art
    • Traction
    • A Restless Art
      • About
      • A Restless Art in 10 minutes
      • How to get ‘A Restless Art’
      • Case studies
        • Fun Palaces
        • ‘Men & Girls Dance’, Fevered Sleep
        • Festival de Música de Setúbal
        • The Portland Inn Project
        • Movimento de Expressão Fotográfica
        • ‘We’re here because we’re here’
        • Welfare State International
        • ‘Bed’, Entelechy Arts
      • Projects
        • Toinen Koti (Finnish National Theatre)
        • Dotrščina Virtual Museum (Croatia)
        • Banlieues Bleues (France)
        • Mahatat for contemporary art (Egypt)
        • The Lawnmowers Independent Theatre Company (UK)
        • Geração SOMA, Vo’Arte (Portugal)
        • A Bao A Qu (Spain)
        • Valleys Kids (Wales)
        • El Colegio del Cuerpo (Colombia)
        • ‘I am the Museum’ (Bosnia Herzegovina)
        • Restoke (UK)
        • Multistory (UK)
        • The Cabbage Field Opera (Lithuania)
      • Resources and links
    • Regular Marvels (2010-2015)
    • Other projects
  • Writing
    • Parliament of dreams
    • Essays
      • Old Words (2008-2022)
  • Commissions
    • Living Heritage (1998-2005)

Tag: Participatory art

January 6, 2023January 6, 2023 François Matarasso

Old Words #11 – ‘All in this together’

August 22, 2022 François Matarasso

Traction – an EU research project

June 2, 2022June 2, 2022 François Matarasso

This is special

March 17, 2022 François Matarasso

‘Cabaret de la Gata’ – Traction takes off

November 28, 2021November 28, 2021 François Matarasso

Safari park lions

November 21, 2021 François Matarasso

What do you expect?

November 14, 2021November 21, 2021 François Matarasso

A community of many voices

September 20, 2021September 20, 2021 François Matarasso

‘Wish You Were Here’ – A community art project during lockdown

September 6, 2021 François Matarasso

The difference between a professional and a non-professional artist – A Postscript

September 5, 2021 François Matarasso

The difference between a professional and a non-professional artist – Part 3

Posts navigation

Older posts

Most viewed posts

  • Connections and differences between participatory art and community art
  • 'Cabaret de la Gata' - Traction takes off
  • Why are there so few books about community art?
  • The function and purposes of art
  • A (very short) history of the British community arts movement
  • A community of many voices
  • Renewing opera
  • Remembering Craigmillar Festival Society
  • Co-creation
  • Understanding participatory and community art (Part 1)
Follow François Matarasso on WordPress.com

Activism Arlene Goldbard Art practice Arts and disability Arts and health Arts and older people Arts Council England Art work with people Calouste Gulbenkian Foundation Cardboard Citizens community Community art Community music Community opera Community theatre Creative Writing Cultural democracy cultural democratisation Education Entelechy Arts ethics Europe European cultural policy Evaluation Fun Palaces Joan Littlewood Lithuania memory Murals Music music education opera Participatory art Podcast Portugal Quality social change socially engaged practice Spain Theatre Theatre for social change The Lawnmowers Traction Welfare State International young people

Blog Stats

  • 243,717 hits
Website Built with WordPress.com.
François Matarasso
Website Built with WordPress.com.
  • Follow Following
    • François Matarasso
      • Join 685 other followers
    • Already have a WordPress.com account? Log in now.
    • François Matarasso
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...